s(ed.)，Photography: A Critical Introduction(Third Edition),( London and New York：Routledge,2004,P55)
注3：Yoshiaki Kai,‘Rewriting the History of Photography:An Interview with Geoffrey Batchen‘,(Tokyohotographers’ Gallery Press,No.7,2008,P119)
注4：Lucia Moholy，A Hundred Years of Photography：1839-1939，(London enguin Books Limited,1939,P11)
注5：Jonathan Harris,The New Art History:A Critical Introduction(London：Routledge,2001,P7)
注6：Richard Bolton(ed.),The Contest of Meaning:Critical Histories of Photography(Cambridge,Massachusette,London,England:The MIT Press,1989,P X)
注7：同上書，P X。
注8：Robert S. Nelson，Richard Shiff(ed.),Critical Terms for Art History,Second Edition(Chicago: The University of Chicago Press,2003,P 452)
注9：Yoshiaki Kai,‘Rewriting the History of Photography:An Interview with Geoffrey Batchen‘,(Tokyo hotographers’ Gallery Press,No.7,2008,P121)
注10：Peter B. Hales，Silver Cities:The Photography of American Urbanization,1839-1915, (Philadelphia: Temple University Press,1984，P4)
注11：Cara A. Finnegan, Picturing Poverty: Printing Culture and FSA Photographs(Washington/London ：Smithsonian Books,2003， P xii)
注12：同上書，P xii。
注13：Peter D.Osborne,Travelling Light:photography,travel and visual culture(Manchester and New York：Manchester University Press,2000,P70)
