藝術(shù)總監(jiān)：段煜婷
致力于中國當(dāng)代攝影的策展、傳播、推廣以及藝術(shù)項目的管理。
1996年6月至1998年4月于《人民攝影》先后擔(dān)任“攝影家訪談”專欄記者、理論版編輯；1998年4月至2005年于羊城晚報報業(yè)集團(tuán)《新快報》先后任圖片編輯、圖片總監(jiān)；1998年8月策劃組織“華南報道攝影高級研討班”；2000年編著反映中國20世紀(jì)社會各階層生存狀況的大型紀(jì)實攝影叢書《中國故事》；2001年至2003年被世界新聞攝影基金會(WPP)選為中國大師班成員參加為期3年的學(xué)習(xí)；2005年發(fā)起、策劃連州國際攝影年展項目，并擔(dān)任藝術(shù)總監(jiān)；2005年底被評為“2005中國攝影十大焦點人物”；2006年1月策劃“百變香江—邱良個展”（廣東美術(shù)館）；2006年1月策劃“我鏡頭中的毛澤東—呂厚民個展”（廣東美術(shù)館）；2006年2月?lián)文箍茢z影節(jié)策展人；2006年3月被美國休斯頓攝影節(jié)（FotoFest）特邀為中國攝影節(jié)的代表參加“國際攝影藝術(shù)博物館聯(lián)盟Oracle”組織會議；2006年5月“中國攝影50年”大型回顧展特約策展人；2006年11月受邀擔(dān)任德國柏林?jǐn)z影節(jié)（FOTOBILD）評委；2007年1月受邀擔(dān)任法國巴黎攝影雙年展(PHOTOQAUI)中國部分策展人；2007年英國伯明翰攝影節(jié)（Rhubarb-Rhubarb）大師評審會評委；2007年德國柏林?jǐn)z影節(jié)（FOTOBILD）大師評審會評委；2008年4月首屆希臘攝影雙年展評委；2008年5月柏林?jǐn)z影節(jié)評委；2009年5月中國攝影金像獎評委；2009年－2010年連續(xù)兩年南方短片節(jié)評委；2010年6月瑞士日內(nèi)瓦攝影節(jié)評委；2010年7月法國才華攝影基金獎評委 。
Director: Duan Yuting
Dedicated in curatorship, spreading and promotion of China’s contemporary photography and management of art projectsG June,1996 to April, 1998, hostess of the column of “Photographer Interview” and editor of theory edition of People's Photography; April, 1998 to year 2005, photo editor and photo chief director for New Express under Yangcheng Evening News Group; August, 1998, planning and organizing South China Press Photo Advanced Seminar; 2000, compiling Chinese Story, a great realistic photographic book reflecting living status of all walks of life of China in the 20th century's; 2001 to 2003, taking a 3-year Chinese Master Course as a member chosen by World Press Photo; 2005, initiator and curator of Lianzhou International Photo Festival as project and art director; 2005 end, chosen as Top Ten Character of China Photography of the Year; January, 2006, curator for “Ever-Changing Fragrant River”--Qiu Liang Solo Exhibition, Guangdong Gallery; January, 2006, curator for “Chairman Mao in My Lens” -- Lv Houmin Solo Exhibition, Guangdong Gallery; February, 2006, curator for Moscow Photo Festival; March, 2006, attending Oracle (an international organization of museums of photography) Conference as representative for China Photo Festival invited by FotoFest; May, 2006, special curator for “China Photography 50 Years” - Large Retrospective Exhibition; November, 2006, invited judge for FOTOBILD, Berlin, Germany; January, 2007, invited curator for Chinese Work in Paris Photo Biennale; 2007, member of review panel for Rhubarb-Rhubarb, Birmingham, UK; 2007, member of review panel for FOTOBILD, Berlin, Germany.; April 2008, member of jury ot the 1st Thessaloniki PhotoBiennale 2008, Greece. May 2008, Reviewer for FOTOBILD Berlin. May, 2009, Reviewer for China Photography Awards; Sep.2009 & Sep.2010, Judger for Southern Porket Film Festival. June,2010 Viewer for 50JPG, Geneva; July, 2010, Jury for Photography Talent Award, France.
第六屆連州國際攝影年展介紹
費大為
中國最重要的當(dāng)代藝術(shù)評論家和策劃人，自八十年代開始投入中國當(dāng)代藝術(shù)的發(fā)展，最早將中國當(dāng)代藝術(shù)推向國際舞臺，對中國和國際的當(dāng)代藝術(shù)之間的交流和對話作出了重要的貢獻(xiàn)。
1954年生于上海；1985年畢業(yè)于中央美術(shù)學(xué)院美術(shù)史系并留校任《美術(shù)研究》雜志編輯；1986年-1987年接受法國文化部造型藝術(shù)局的邀請在法國講學(xué)、工作；1987年開始參加蓬皮杜藝術(shù)中心的國際展覽《大地魔術(shù)師》展覽的籌備工作，負(fù)責(zé)中國藝術(shù)家的選擇工作。該展覽第一次提出了藝術(shù)全球化的理念，是當(dāng)代藝術(shù)歷史上劃時代的展覽。自1989年移居法國后，費大為策劃了許多具有重要國際影響力的展覽，包括著名的《獻(xiàn)給昨天的中國明天》（1990年法國）、《非�？凇罚�1991年日本）、《亞細(xì)亞散步》（1994年，1997年日本）、《在界限之間》（1997年韓國）、《里里外外》（2004年法國）、《'85新潮—第一次中國當(dāng)代藝術(shù)運動》（2007年中國）、《占卜者之屋》（2008年中國）；此外，費大為也在世界各地從事各種學(xué)術(shù)研討交流活動；1999年獲法國政府文化藝術(shù)騎士勛章，2002年至2008年任尤倫斯基金會主任，并在北京創(chuàng)辦尤倫斯當(dāng)代藝術(shù)中心；2008年，成為獨立策劃人和批評家。
Fei Dawei
Fei Dawei is the most important contemporary art critic and independent curator, since the eighties, Fei Dawei has devoted into the work on promoting Chinese contemporary art and also introduced Chinese contemporary art to the world as well as made a great contribution to create a dialogue between the world of Chinese art and that of the West. 1954, born in Shanghai, China; 1985, graduated from the Beijing Central Academy of Fine Arts with a Bachelor’s in Arts, majoring in History of Art; 1985-1989, editor of the Fine Art Research magazine of the Beijing Central Academy; 1986, invited to work with the Department of Plastic Arts of the French Ministry of Culture as a visiting scholar First introduced Chinese contemporary art to a worldwide audience; 1987-1989, advised the curators of the Magiciens de la Terre exhibition at the National Museum of Contemporary Art in Paris, France(also known as the Centre Pompidou)Responsible for the selection of Chinese artists. Since moving to France in 1989, he initiated many exhibition with worldwide influence ,such as "China Tomorrow for Yesterday" (1990 in France), "The Exceptional Passage" (1991 in Japan), "Promenade in Asia" (1994, 1997 in Japan), "In Between Limits ( Korea, 1997), "All Under Heaven" (2004 in Belgium), "The Monk and the Demon" (2004 in France), '85 New Wave "(2007 China)," House of Oracles "(China 2008) etc.. are marked in the history of art in China; in addition, he engaged in all kinds of academic researches and exchange activities around the world; 1999, was awarded the title of “Chevalier des Arts et des Lettres” (Knight of Art and Culture) by the French Ministry of Culture; 2002-2008, founding director of the Guy & Myniam Ullens Foundation, and planned and established the Ullens Center for Contemporary Art(UCCA)in Beijing 798 Zone; From 2008, becoming an art critic and independent curator.
鮑棟
藝術(shù)評論家、獨立策展人，現(xiàn)居北京。1979年生于安徽蕪湖，2006年獲四川美術(shù)學(xué)院藝術(shù)史碩士學(xué)位，曾工作于重慶師范大學(xué)影視傳媒學(xué)院、上海多倫現(xiàn)代美術(shù)館、北京伊比利亞當(dāng)代藝術(shù)中心。作為藝術(shù)批評家，他在《藝術(shù)界》、《畫刊》、《藝術(shù)時代》、《詩林》、《讀書》等幾十家刊物上發(fā)表評論及理論文章，并受邀參加各種學(xué)術(shù)論壇。作為策展人，他在各類藝術(shù)機構(gòu)策劃過大量的展覽，主要包括“遭喻現(xiàn)實”（重慶美術(shù)館）、“魯迅公園計劃”（上海多倫現(xiàn)代美術(shù)館）、“觀念的筆記：中國當(dāng)代繪畫的局部敘事”（北京伊比利亞當(dāng)代藝術(shù)中心）、“再實驗：意志與智性的重申”（2009年北京798藝術(shù)節(jié)）等展覽。
Bao Dong
Independent curator and art critic in Beijing. He was born in Wuhu, Anhui Province in 1979. After graduation from Sichuan Fine Arts Institute with a Master degree in Art History in 2006, he has worked at the Institute of Movie and Media, Chongqing Normal University, Shanghai Duolun Museum of Modern Art, and Iberia Center for Contemporary Art, Beijing. As an art critic, he has published a great many reviews and articles on magazines and publications, such as Leap, Art Monthly, Art Time, Poetry Circle, Du Shu, etc. He is also frequently invited to many academic forums. His curatorial work mainly includes “Re-metaphorized Reality” at Chongqing Art Museum, “Lu Xun Park Project” at Shanghai Duolun Museum of Modern Art, “Notes of Conception: A Local Narrative of Chinese Contemporary Painting” at Iberia Center for Contemporary Art, Beijing, “Re-experimentation: a Reaffirmation of Will and Enlightenment” for Beijing 798 Art Festival 2009, and others.
阿聶茲·德·蒂奎文·圣克林
阿聶茲是攝影界的一位世界性重要人物。攝影大師布拉塞的指定遺囑執(zhí)行人。法國阿爾勒國際攝影節(jié)主辦方。她在法國文化部任職超過30年，負(fù)責(zé)籌備有利攝影業(yè)的政策綱要。她目前是一位世界性的顧問、策展人以及多本專著的作家。自2010年起，任法蘭西學(xué)會藝術(shù)院成員。
Agnès de GOUVION SAINT-CYR
Great figure in the world of photography, Brassaï executrix, she is behind the Rencontres Internationales de la Photographie d’Arles. Agnes has been for over thirty years at the Ministry of Culture responsible for preparing the outline of a policy in favor of Photography. She is now consulting, curator in the world and the author of numerous monographs. It is since 2010 member of the Institut de France, Section Fine Arts.
瑪琳·鮑德里亞
瑪琳•鮑德里亞是思想家讓•鮑德里亞的妻子。她于1945年出生于巴黎。1970年，在她還是一名學(xué)生的時候，邂逅了時任法國巴黎第十大學(xué)教授的讓。在讓的職業(yè)生涯期間，瑪琳是一名專欄作家，并為數(shù)家雜志擔(dān)任藝術(shù)總監(jiān)。而在讓離世前，她組織了位于科摩羅群島上的一個年度傳統(tǒng)音樂節(jié)。她本身也是一名攝影師。目前，她專注于工作，并于最近在巴黎凱布朗利博物館組織了一場為期兩天的大型國際會議，主題是關(guān)于讓•鮑德里亞的深具個人色彩的非凡思想。
Marine Baudrillard
Marine Baudrillard is the wife of Jean. She was born in Paris in 1945. In 1970, she met Jean, then a professor of sociology at the University of Paris X-Nanterre, where she is a student. During his professional life, she is a columnist, TV and Artistic Director of several magazines. Avant the disappearance of Jean, she organizes an annual festival of traditional music on the Comoro Islands. It is itself photographe. Aujourd’Today, she attends to her work and recently organized at the Musée du Quai Branly in Paris, a large two-day international conference about his thoughts with eminent personalities whose architect Jean Nouvel
米歇爾•菲利博
米歇爾•菲利博為西格瑪圖片社擔(dān)任了十年的特約記者工作，繼后十年里先后任伽瑪圖片社圖片編輯，并與Globe Hebdo、L’ Evénement du Jeudi、VOD周刊以及《世界報》等多家雜志社合作。目前是自由攝影策展人。
Michel Philippot
Reporter to the Sygma agency for over 10 years. Photo editor for the Gamma agency and then in various magazines – Globe Hebdo, L’ Evénement du Jeudi, VOD, and World 2 for 10 years… it is now a consultant in photography and curator.
