丨作者：長(zhǎng)弓 丨出版日期：2024年10月 丨出版社：讀圖時(shí)代出版社 丨ISBN： 978-99965-54-41-4 丨定價(jià)：60元 前 言 在這里展出的作品，基本上是在2012年前后拍攝的。當(dāng)時(shí)計(jì)劃出一套四本的《四季池塘》，在2014年到2015年出了這個(gè)系列的前兩本——《水畔堤邊》和《荷塘印象》。到了2016年因?yàn)榕臄z其他系列的原因，就將這個(gè)系列出版的事擱置了，但總覺得這個(gè)事沒有進(jìn)行完。 近些年來，尤其是在過去的三年中有了些時(shí)間翻翻過去的作品，同時(shí)也有朋友關(guān)注這個(gè)系列的完整性，所以就有了將這個(gè)系列進(jìn)行完整交代的想法。 十年前拍攝這一系列時(shí)，所涉足的都是在家門口附近昆玉河沿線，最遠(yuǎn)不過頤和園，最近就在玉淵潭。家門口附近我是再熟悉不過了，當(dāng)年“就在此處找到此刻”的愿望，已經(jīng)蓋過了再早那種“只把他鄉(xiāng)當(dāng)故鄉(xiāng)”的尋找沖動(dòng)，而這種刻意在這個(gè)系列進(jìn)行時(shí)，以及后來其它的拍攝行動(dòng)中被滌蕩殆盡了，我個(gè)人認(rèn)為《四季池塘》是我攝影活動(dòng)的分水嶺。 現(xiàn)在看起來，那時(shí)拍攝的作品有著許多遺憾，有的遺憾是因?yàn)閷?duì)眨眼即逝的無能為力，而有的遺憾確實(shí)形成于當(dāng)時(shí)我個(gè)人的認(rèn)知所限。好在這些現(xiàn)在意識(shí)到的遺憾，被凝結(jié)在那時(shí)的影像中了。盡管有這樣和那樣的遺憾，但是在硬盤中的電子文件無法代替照片的展覽和印刷的呈現(xiàn)——這個(gè)概念還是被我頑固的堅(jiān)信著，這種偏執(zhí)也是形成此次展覽的原因之一。 今天是攝影術(shù)誕生的紀(jì)念日。在此展出這幾張作品，可能也是想要留下個(gè)紀(jì)念吧。 感謝長(zhǎng)期支持、關(guān)注的師長(zhǎng)和朋友們。 長(zhǎng)弓 2023年8月19日于北京 Preface The works exhibited here were largely taken around 2012. At the time, the plan was to release a four-book set named Four Seasons of the Pond, and the first two books in this series Waterside Embankment and Impressions of the Lotus Pond were published in 2014 and 2015. In 2016, because of the filming of other series, I put the publishing of this series on hold, but I always felt that this project was not finished. In recent years, especially in the past three years, I have had some time to review the past works, and at the same time, some friends are concerned about the integrity of this series, so I have the idea of giving a complete account of this series. Ten years ago, when I shot this series, all I had to deal with was along the Kunyu River near my home, as far as the Summer Palace, and as close as Yuyuantan. I know the neighborhood of my hometown very well, and the desire of “finding this moment right here” had already overridden the earlier impulse of “treating other places as my hometown”, and this kind of intention was washed away in this series and in other shooting actions later on. Personally, I think Four Seasons of the Pond is a watershed in my photographic activities. In hindsight, I have many regrets about the work I shot at that time, some of which were powerlessness in the blink of an eye, and some of which were due to the limitations of my personal knowledge at the time. The good thing is that these regrets, which I realize now, were frozen in the images of that time. Despite all the regrets, the notion that electronic documents on a hard disk cannot replace the exhibition of photographs and the presentation of prints is a concept that I stubbornly believe in, and this paranoia is one of the reasons for the formation of this exhibition. Today is the anniversary of the birth of photography. I'm exhibiting these works here as a reminder of that. Thank you to the teachers and friends who have provided long-term support and attention. Longbow August 19, 2023 in Beijing
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