池海波 Chi Haibo 池海波 現(xiàn)駐上海臨港國際藝術(shù)園 影像藝術(shù)家 中國攝影家協(xié)會 會員 上海市攝影家協(xié)會藝術(shù)專業(yè)委員會 副主任 Chi Haibo Currently stationed in Shanghai Lingang International Art Park as an image artist Member of China Photographers Association Deputy director of the art professional committee of Shanghai Photographers Association 《?！?/div> 縱覽中外藝術(shù)史，大海牽動著眾多藝術(shù)家的心靈律動和精神寄托。倫勃朗畫《加利利海上的風(fēng)暴》，呈現(xiàn)出人對大海的恐懼與無奈。莫奈以《日出印象》表達出心的迷茫與色彩的誘惑，從而成就了印象派在視覺藝術(shù)上的深遠影響?？邓固苟≈Z維奇•艾瓦佐夫斯基以狂風(fēng)暴雨般的筆觸，揮灑出《九級浪》的磅礴狂放，演奏著現(xiàn)實主義的交響。葛飾北齋的《神奈川大海浪》，卻是海洋的東方神秘主義寓言圖騰。在亞洲東海岸的臨港海面上，用色彩的旋律，譜寫出自己的樂章。明亮而清晰，匯入歷史與現(xiàn)實的交響。留下的一道寄情于海，寓意于海的精神軌跡。 The sea Looking at the history of Chinese and foreign art, the sea affects the spiritual rhythm and spiritual sustenance of many artists. Rembrandt's painting “The Storm on the Sea of Galilee” shows human's fear and helplessness of the sea. Monet expressed the confusion of heart and the temptation of color in his work " Impression Sunrise", which achieved the far-reaching influence of Impressionism on visual art. Ivan Constantinovich Aivazovsky played a realistic symphony with the majestic and unrestrained style of " The Ninth Wave" with his stormy strokes. Katsushika Hokusai ‘s “The Great Wave of Kanagawa” is the Oriental mystical fable totem of the ocean. On the sea near the port on the east coast of Asia, he composed his own movement with the melody of color. Bright and clear, it merges into the symphony of history and reality, leaving a spiritual track of feeling in the sea and implying in the sea.
展覽作品 2022年作品《上海臨港的海1.2》參展首屆北京影像博覽會 2021年作品《水墨滄海1.2》《明月共潮生》《冬韻》參展第七屆影像上海藝術(shù)博覽會 2020年作品上海國際攝影節(jié)特邀展《臨港的?！穼ｎ}展出 2019年作品《似山是樹》《沙漠之樹》參展第六屆上海影像博覽會 2018年作品《風(fēng)雅》專題，上海臨港當(dāng)代美術(shù)館個展 |
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